The Black Dahlia Murder stream ‘Abysmal’ it in its entirety now


THE BLACK DAHLIA MURDER unleash the crushing, new full-length album, “Abysmal” on the masses this week; stream it in its entirety now!

The problem of dropping a record as career-defining as 2013’s “Everblack” is that the bar is set so high following it up is a galling task. That THE BLACK DAHLIA MURDER‘s response to such a challenge comes in the form of the devastating “Abysmal” serves to once again demonstrate why they are considered one of the most vital bands in contemporary death metal. “Once the record started to come together we knew it was going to be something special,” states vocalist Trevor Strnad. “It’s more urgent, it has more dynamics, it’s a more emotive record, and it has a more raw, angry sound to it. It’s still million mile-per-hour death metal, but when you invest so much thought and emotion into what you’re creating you end up with a record that does stand out, and we can hold our heads up high and say yeah, this is our best work.

Stream it now in its entirety now exclusively at metalblade.com/tbdm leading to its release. You have been warned!

Abysmal” will be available in Europe as a Digipak-CD with a bonus-cd featuring three exclusive, brand new tracks! “Abysmal” is also available on vinyl in different colors! Pre-order now at metalblade.com/tbdm.

Abysmal“, is a vicious slab of unrelenting aggression showcases TBDM at their very finest with a meticulous, pin-point precise rhythmic assault mixed with ferocious speed and dynamic hooks. The band also re-enlisted the services of renowned producer Mark Lewis (Cannibal Corpse, Whitechapel) and former bass player Ryan Williams, who also produced “Everblack“, with the sole intent to get away from the overt sonic sterility affecting far too many contemporary metal albums.

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About Thomas Nielsen 1051 Articles
When my old buddy Kenn Jensen asked me if I wanted to contribute to the new site he had created, then called powermetal.dk, I didn't hesitate. My love for metal music was and is great. I wrote my first review during the summer of 2004 (Moonspell's 'Antidote' album). In 2015, I took over the editor-in-chief role.

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