{"id":9151,"date":"2016-06-07T21:38:07","date_gmt":"2016-06-07T20:38:07","guid":{"rendered":"http:\/\/powerofmetal.dk\/?p=9151"},"modified":"2016-06-07T22:43:10","modified_gmt":"2016-06-07T20:43:10","slug":"septicflesh-announce-new-album-and-complete-reissue-of-back-catalogue","status":"publish","type":"post","link":"https:\/\/newsite.powerofmetal.dk\/news\/septicflesh-announce-new-album-and-complete-reissue-of-back-catalogue","title":{"rendered":"Septicflesh announce new album and complete reissue of back catalogue"},"content":{"rendered":"
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SEPTICFLESH<\/b>\u00a0are currently revealing that the work on\u00a0their next full-length masterpiece is already in full swing. The Greek demons state: “We are proud to announce that SEPTICFLESH<\/b> are in the middle of the writing process for the follow up to our latest \u00a0album ‘Titan’. We will work with Swedish producer Jens Bogren at Fascination Street studios. Our new drummer\u00a0Krimh will be appearing for the first time on a full recording. We can promise you a dark opus that will add new dimensions to the sound of\u00a0SEPTICFLESH<\/b>.”<\/p>\n

You can expect a grandiose album that is targeted for release in early 2017. More news coming soon.<\/span><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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On further news,\u00a0SEPTICFLESH<\/b>\u00a0are finally completing the reissuing of their back catalogue via Season of Mist with the re-release of their acclaimed fifth full-length ‘Revolution DNA’\u00a0(1999), which has been scheduled for August 5.<\/p>\n

The new exclusive artwork by French artist\u00a0Adrien Bousson, which the band explicitly approves as well as\u00a0the track-list of ‘Revolution DNA’ can be viewed below.<\/span><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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1. Science
2. Chaostar
3. Radioactive
4. Little Music Box
5. Revolution
6. Nephilim Sons
7. DNA
8. Telescope
9. Last Stop To Nowhere
10. Dictatorship Of The Mediocre
11. Android
12. Arctic Circle
13. Age Of New Messiahs
14. Misery’s King (bonus track)
15. The Thief Of Innocence (bonus track)
16. Telescope (bonus French version)<\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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\"SEPTICFLESH<\/a><\/td>\n<\/tr>\n
Photo-credit: Math Studio – Edit: Seth Siro Anton<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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With the eagerly and long awaited re-release of ‘Revolution DNA’ (1999), Season of Mist is now completing the reissuing of SEPTICFLESH<\/b>‘s back catalogue. The acclaimed fifth full-length of the Greek demons was essentially a logical continuation and sharpening of the formula of its well-received predecessor ‘A Fallen Temple’ (1998). Their unique amalgamation of elements taken from death and gothic metal (meaning bands such as MOONSPELL and TIAMAT) with added experimental and progressive touches was taken to a new level.<\/p>\n

While dropping the female vocals of previous releases, their captivating duels between Seth’s harsh growls and Sotiris’ emotional clean voice intensified. SEPTICFLESH<\/b>‘s talent for dark atmospheres and avant-garde experimentation without losing ground contact reached a new height. It had been an adventurous musical journey that led from their savage debut EP ‘Temple of the Lost Race’ (1991) to the daring course taken by ‘Ophidian Wheel’ (1997), and through the widening of the horizon with ‘A Fallen Temple’ to the depths of ‘Revolution DNA’. Coming from the safe harbour of traditional death metal, SEPTICFLESH<\/b> soon entered more challenging waters by adding classical elements as represented by their first two full-lengths ‘Mystic Places of Dawn’ (1994) and ‘Esoptron’ (1995). Their third album ‘Ophidian Wheel’ witnessed the Greeks experimenting with the possibilities offered by original Gothic Metal as defined by PARADISE LOST’s album ‘Gothic’ (1991) and the use of beautiful female vocals contrasting with harsh growls.\u00a0<\/p>\n

SEPTICFLESH<\/b> were conceived by Christos and Spiros “Seth” Antoniou in Athens in the year 1990. The brothers were soon joined by guitarist Sotiris Vayenas. The debut EP ‘Temple of the Lost Race’ (1991) laid the foundation of a steadily rising career, which was only interrupted by a hiatus as the band members decided to go separate ways after the release of ‘Sumerian Daemons’ (2003). Continuous demand of their large and loyal following finally lead to a reunion in 2007, after which SEPTICFLESH<\/b> firmly established themselves as a leading force of symphonic Dark Metal with critically acclaimed masterpieces ‘Communion’ (2008), ‘The Great Mass’ (2011), and ‘Titan’ (2014).\u00a0<\/p>\n

‘Revolution DNA’ comes with new artwork by Adrien Bousson approved by the band, exclusive liner-notes by Olivier “Zoltar” Badin, and bonus tracks, which were not available on the original release. The back catalogue of SEPTICFLESH <\/b>will soon be completely available from Season of Mist.<\/p>\n

www.facebook.com\/septicfleshband<\/a>
www.septicflesh.com<\/a><\/p>\n

Style<\/b>: Dark Metal<\/p>\n

Recording line-up ‘Revolution DNA’<\/b>
Spiros “Seth” Antoniou: bass, vocals (harsh)
Sotiris Vayenas: guitars, vocals (clear), lyrics
Christos Antoniou: guitars, samples
Akis “Lethe” Kapranos: drums<\/p>\n

Current line-up<\/b>
Seth Siro Anton: bass & vocals
Christos Antoniou: guitar & orchestral arrangements
Sotiris Anunnaki V: guitar & clean vocals
Kerim ‘Krimh’ Lechner: drums & percussion<\/p>\n

Available formats<\/b>
Digipak CD
Double Gatefold LP in various colours<\/p>\n

Live<\/b>
24 Jul 16 Tolmin (SI) Metaldays<\/span><\/span><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
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SEPTICFLESH\u00a0are currently revealing that the work on\u00a0their next full-length masterpiece is already in full swing. The Greek demons state: “We are proud to announce that SEPTICFLESH are in the middle of the writing process for [Read \u00bb]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":9152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_oct_exclude_from_cache":false,"footnotes":""},"categories":[34],"tags":[],"class_list":{"0":"post-9151","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-news"},"_links":{"self":[{"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/posts\/9151"}],"collection":[{"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/comments?post=9151"}],"version-history":[{"count":0,"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/posts\/9151\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/media\/9152"}],"wp:attachment":[{"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/media?parent=9151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/categories?post=9151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/newsite.powerofmetal.dk\/wp-json\/wp\/v2\/tags?post=9151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}