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UPCOMING RELEASE DATES<\/span><\/b><\/p>\n

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22.07.16 CATTLE DECAPITATION – “The Anthropocene Extinction” (Picture Disc)
22.07.16 HAMMERS OF MISFORTUNE – “Dead Revolution” (CD\/vinyl\/digital)
22.07.16 REVOCATION – “Great Is Our Sin” (CD\/vinyl\/digital)
05.08.16 NECROMANCING THE STONE – “Jewel of the Vile” (CD\/digital)
26.08.16 MERCYFUL FATE – “In the Shadows” (vinyl re-issue)
26.08.16 MERCYFUL FATE – “Time” (vinyl re-issue)
09.09.16 SIX FEET UNDER – “Alive and Dead” (vinyl re-issue)
09.09.16 SIX FEET UNDER – “Maximum Violence” (vinyl re-issue)<\/span><\/p>\n<\/p>\n

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HAMMERS OF MISFORTUNE streams new album, ‘Dead Revolution’, via MetalSucks.net<\/span><\/span><\/p>\n
<\/span><\/b>Releases ‘Dead Revolution’ today worldwide via Metal Blade Records!<\/span><\/i><\/b><\/span><\/p>\n
Today (July 22nd), West Coast progressive heavy metallers <\/span>Hammers of Misfortune<\/b> have released their sixth full-length, ‘<\/span>Dead Revolution<\/i><\/b>‘, worldwide via Metal Blade Records. To purchase the record in various formats, please visit: metalblade.com\/hammersofmisfortune<\/a>. To hear ‘<\/span>Dead Revolution<\/i><\/b>‘ in its entirety, head over to MetalSucks.net for the exclusive album stream: metalsucks.net<\/a><\/span><\/p>\n
Recorded at Light Rail Studios in San Francisco, CA, ‘<\/span>Dead Revolution<\/i><\/b>‘ is more varied than its predecessor (2011’s acclaimed <\/span>17th Street<\/i><\/b>), by using different tones, and delving into heavier, darker territory. With tracks like the stupendous ‘The Precipice’, the raging ‘Flying Alone’, and the riff-organ fest that is ‘Dead Revolution’, <\/span>Hammers Of Misfortune<\/b> have found a way to indulge their progressive and psychedelic tendencies while remaining decidedly metal. That’s not to say ‘<\/span>Dead Revolution<\/i><\/b>‘ is without its slow-burners: ‘Here Comes the Sky’ pivots off a <\/span>Pink Floyd<\/b> axis (think “A Pillow in the Wind”) – with its soft strums, careful vocal interplay, and delicate percussion – before diving into traditional heavy metal motifs. “Of course, every song stands out to me,<\/i>” says principal songwriter and guitarist John Cobbett. “I’ve no idea how listeners will react to them. ‘The Velvet Inquisition’ is probably one of the most ambitious compositions we’ve ever recorded. I was trying some different writing methods and the results are\u2026interesting. ‘Days of ’49’ is an attempt to repurpose an old traditional folk song, which is new for us.<\/i>” <\/span>Hammers of Misfortune<\/b> also enlisted Nick Dumitriu (<\/span>Vhol<\/b>, <\/span>Ritual Chamber<\/b>) to produce this record, utilizing a vintage Trident board and minimizing digital processing. The result is a warm, sharp sound that harkens back to productions like John Leckie’s treatment of <\/span>Pink Floyd<\/b>‘s <\/span>Meddle<\/i><\/b> or David Hitchcock’s master work in <\/span>Camel<\/b>‘s <\/span>Mirage<\/i><\/b>.<\/span><\/p>\n
See below for the official track-listing, and stay tuned for more news coming soon!<\/span><\/p>\n
Dead Revolution track-listing<\/b><\/span>
1. The Velvet Inquisition<\/span>
2. Dead Revolution<\/span>
3. Sea of Heroes<\/span>
4. The Precipice (Waiting for the Crash\u2026)<\/span>
5. Here Comes the Sky<\/span>
6. Flying Alone<\/span>
7. Days of ’49<\/span><\/p>\n
Hammers of Misfortune line-up:<\/b><\/span>
John Cobbett – guitar<\/span>
Will Carroll – drums, percussion<\/span>
Sigrid Sheie – organ, piano<\/span>
Leila Abdul-Rauf – guitar, vocals<\/span>
Joe Hutton – vocals<\/span>
Paul Walker – bass<\/span><\/p>\n
http:\/\/hammersofmisfortune.com<\/a><\/span>
https:\/\/www.facebook.com\/hammersofmisfortune<\/a> <\/span><\/span><\/p>\n<\/p>\n
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anstehende Ver\u00f6ffentlichungstermine:<\/span><\/b><\/p>\n

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HAMMERS OF MISFORTUNE streamen ihr neues Album ‘Dead Revolution’ via MetalSucks.net<\/span><\/span><\/p>\n
<\/span><\/b>‘Dead Revolution’ ab sofort erh\u00e4ltlich via Metal Blade Records!<\/span><\/i><\/b><\/span><\/p>\n
Am heutigen 22. Juli ver\u00f6ffentlichen die West Coast Progressive Heavy Metaller <\/span>HAMMERS OF MISFORTUNE<\/b> ihren sechsten Longplayer ‘<\/span>Dead Revolution<\/i><\/b>‘ \u00fcber Metal Blade Records. Um das Album in verschiedenen Formaten vorzubestellen, solltet ihr euch auf metalblade.com\/hammersofmisfortune<\/a> einw\u00e4hlen.<\/span><\/p>\n
Um ‘<\/span>Dead Revolution<\/i><\/b>‘ in seiner G\u00e4nze anzuh\u00f6ren, m\u00fcsst ihr nur HIER<\/a> f\u00fcr den exklusiven Albumstream klicken!<\/span><\/p>\n
‘<\/span>Dead Revolution<\/i><\/b>‘ wurde in den Light Rail Studios in San Francisco eingespielt und klingt facettenreicher als sein Vorg\u00e4nger (‘<\/span>17th Street<\/i><\/b>‘, 2011 allerorts hochgelobt), weil die Band unterschiedliche Stimmungen abdeckt und in finstereres, heavieres Terrain vorst\u00f6\u00dft. Tracks wie das atemberaubende “The Precipice”, das w\u00fctende “Flying Alone” oder das Riff-Orgel-Feuerwerk “Dead Revolution” beweisen, dass <\/span>HAMMERS OF MISFORTUNE<\/b> ein Gleichgewicht zwischen H\u00e4rte und psychedelischen Anwandlungen gefunden haben, das eindeutig nach Metal klingt. Trotzdem enth\u00e4lt auch ‘<\/span>Dead Revolution<\/i><\/b>‘ bed\u00e4chtigere Momente: “Here Comes the Sky” rotiert auf der Achse <\/span>Pink Floyd<\/b> (man denke an “A Pillow in the Wind”) – sanftes Zupfen, zur\u00fcckhaltender Gesang und leises Percussionspiel -, bevor traditioneller Heavy Metal anklingt. “Klar ist f\u00fcr mich jeder Song etwas Besonderes<\/i>“, sagt Hauptsongwriter und Gitarrist John Cobbett. “Ich habe keine Ahnung, wie die H\u00f6rer darauf reagieren werden. ‘The Velvet Inquisition’ ist wohl eine unserer ehrgeizigsten Kompositionen bisher. Ich habe andere Methoden beim Songwriting angewendet, und die Eergebnisse h\u00f6ren sich \u2026 interessant an. ‘Days of ’49’ markiert einen Versuch, einen alten Folk-Song aufzufrischen, was wir bisher noch nie probiert haben.<\/i>” <\/span>HAMMERS OF MISFORTUNE<\/b> haben Nick Dumitriu (<\/span>Vh\u00f6l<\/b>, <\/span>Ritual Chamber<\/b>) als Produzenten herangezogen, ein altes Trident-Mischpult benutzt und so den digitalen Anteil bei der Produktion der Scheibe minimiert. Dadurch erhielt sie einen warmen wie kraftvollen Sound, der an Produktionen von like John Leckie erinnert, etwas f\u00fcr <\/span>Pink Floyd<\/b> bzw. <\/span>Meddle<\/i><\/b>, oder an David Hitchcocks Meisterwerk – <\/span>Camels<\/b> <\/span>Mirage<\/i><\/b> – denken l\u00e4sst.<\/span><\/p>\n
Dead Revolution<\/i> Trackliste:<\/b><\/span>
1. The Velvet Inquisition<\/span>
2. Dead Revolution<\/span>
3. Sea of Heroes<\/span>
4. The Precipice (Waiting for the Crash\u2026)<\/span>
5. Here Comes the Sky<\/span>
6. Flying Alone<\/span>
7. Days of ’49<\/span><\/p>\n
Hammers of Misfortune line-up:<\/b><\/span>
John Cobbett – Gitarre<\/span>
Will Carroll – Drums, Percussion<\/span>
Sigrid Sheie – Orgel, Piano<\/span>
Leila Abdul-Rauf – Gitarre, Vocals<\/span>
Joe Hutton – Vocals<\/span>
Paul Walker – Bass<\/span><\/p>\n
http:\/\/hammersofmisfortune.com<\/a><\/span>
https:\/\/www.facebook.com\/hammersofmisfortune<\/a> <\/span><\/span><\/p>\n<\/p>\n
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MB LIVE UPDATE:<\/span><\/span>
<\/span><\/b>These are just UPDATES! For full listing of our artists European tourdates please click HERE<\/a>!<\/span><\/b><\/span>
Hier werden nur UPDATES gelistet! F\u00fcr unseren kompletten Tourkalender HIER<\/a> klicken!!<\/b> <\/span><\/p>\n
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