Today, the Swedish extreme tech-metal pioneers MESHUGGAH are proud to release an exclusive collection of vinyl reissues celebrating the bands legacy.
The collection offers a limited, one-time only pressing that includes re-imagined cover artwork, redesigned gatefold jackets, and audio mastered for vinyl.
The reissues for Nothing, I, Catch Thirtythree, obZen, and Koloss are now available, here: nuclearblast.com/meshuggah-reissues.
The re-designed album artwork was completed by Keerych Luminokaya who created the artwork for the band’s 2012 release of KOLOSS.
For the remastering of the albums, the band returned to Thomas Eberger of Stockholm Mastering who worked with the band on The Violent Sleep of Reason which secured the band their first GRAMMY nomination for “Best Metal Performance.”
Details for the vinyl are as follows:
“Nothing”
Black Vinyl
White Vinyl – Limited to 300
Orange + Black/White Splatter Vinyl- Limited to 300
“I”
Black Vinyl
Green Vinyl – Limited to 300
Clear + Black/Gold Splatter Vinyl – Limited to 300
“Catch Thirtythree”
Black Vinyl Silver Vinyl – Limited to 300
Orange + Black marble Vinyl – Limited to 300
“obZen”
Black Vinyl
Clear Vinyl- Limited to 300
White + Red Splatter Vinyl – Limited to 300
“Koloss”
Black Vinyl
Silver Vinyl – Limited to 300
Grey + Black/Gold marble Vinyl – Limited to300
All Reissues are available here: nuclearblast.com/meshuggah-reissues
Catch MESHUGGAH live on the following dates:
5/05/2019 FL Welcome To Rockville – Jacksonville
5/10/2019 NC Epicenter Festival – Rockingham
5/17/2019 OH Sonic Temple Art & Music Festival – Columbus
5/18/2019 IL Chicago Open Air Festival – Bridgeview
8/01-3/2019 Germany Wacken Open Air – Wacken
8/04/2019 France Sylak Open Air – Saint-maurice-de-gourdans
8/7-10/2019 Czech Republic Brutal Assault Festival – Jaroměř
8/9-10/2019 Belgium Alcatraz Festival – Kortrijk
8/04/2019 Netherlands Into The Grave – Leeuwarden
8/14/2019 Germany Summer Breeze Open Air – Dinkelsbühl
8/17/2019 United Kingdom ArcTanGent Festival – Somerset
Stay tuned for more show announcements!
While the term “genre-defining” gets tossed around quite frequently these days in the music industry, and most especially the heavy metal industry, it is truly the only proper term to align with the head expanding sounds created by MESHUGGAH.
The band began its formation in Umeå, Sweden in 1987. With over 25 years and 8 full length albums as masters in this realm, the band have been on an endless journey to outwardly reveal their uncommon sonic stamp. This greatly pertains to the musical precision required in order to create songs with such unique time signatures.
In 1989 the band‘s vestal voyage began with their self titled release that was limited to only 1,000 copies and completely sold out.
In 1991 with the release of their first full length album “Contradictions Collapse” the band welcomed their new drummer, and the man that would eventually be dubbed “the best drummer alive;” the incredible Tomas Haake.
Their 1995 album “Destroy, Erase, Improve”, and the release of “Chaosphere” in 1998 gained massive attention and really pushed the band into the popular heavy metal touring circuit.
Things progressed more and more until the release of their 2002 album which would go on to sell over 110,000 copies in the United States.
As the years and albums progressed a term describing the band‘s progressive music style; “djent” emerged to solidify their genre defining nature.
In 2005 they released “Catch Thirtythree” which perplexed and delighted many fans and critics as a 47 minute-long “uni-song” that genuinely required patience and attention to detail.
A few years later in 2008, “obZen” made it‘s way into the world alongside a stunning music video for the single ‘Bleed’. “obZen” sold over 82,000 copies in the US, alone.
In 2012 the 10-track record “Koloss” was reveled and made its way to the top 20 of the Billboard top 200, re-demonstrating once again, the exclusive talents held only by MESHUGGAH.
In the time between”KOLOSS” and the release of their 8th full length studio album “The Violent Sleep of Reason”, to celebrate the 25th anniversary of the band’s debut studio album, the idea was born to let creative genius Keerych Luminokaya redesign each album cover with a new sense of style (Luminokaya began creating artwork for the band with their 2012 release of “KOLOSS”, and has continued working closely with them by providing artwork for albums and tour/stage design).
This project stretched over 6 months, and resulted in the release of the “25 Years of Musical Deviance” box set. Only 1000 copies were produced, and they sold out immediately. Inspired by the high demand from fans who couldn’t get their hands on a copy of the box set the first time around, Nuclear Blast will now offer the albums individually on a variety of colored vinyl, in a one-time only limited pressing.
Starting with the first 5 albums: “MESHUGGAH”, “Contradictions Collapse”, “None”, “Destroy”, Erase, Improve”, and “Chaosphere”, and set to be released on Nov 30th, 2018.
All albums are now remastered especially for vinyl by Thomas Eberger of Stockholm Mastering.
In the wake of the massive 25 year milestone, there truly is no better way to complete the collections of fans worldwide than with the installation of these beautifully remastered albums.
It‘s also a rarely seen opportunity for newer, younger fans who have yet to discover MESHUGGAH to introduce their ears and their minds to this stand-alone collection of timeless, mathematical auditory brilliance.
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Swedish extreme tech-metal pioneers MESHUGGAH are proud to release an exclusive collection of vinyl reissues celebrating the bands legacy. The collection offers a limited, one-time only pressing that includes re-imagined cover artwork, redesigned gatefold jackets, and audio mastered for vinyl.
Today, the band announced that the reissues for Nothing, I, Catch Thirtythree, obZen, and Koloss are now available to pre-order at nuclearblast.com/meshuggah-reissues.
The re-designed album artwork was completed by Keerych Luminokaya who created the artwork for the band’s 2012 release of KOLOSS. For the remastering of the albums, the band returned to Thomas Eberger of Stockholm Mastering who worked with the band on The Violent Sleep of Reason which secured the band their first GRAMMY nomination for “Best Metal Performance.”
Details for the vinyl being released on March 22nd are as follows:
“Nothing”
Black Vinyl
White Vinyl – Limited to 300
Orange + Black/White Splatter Vinyl- Limited to 300
“I”
Black Vinyl
Green Vinyl – Limited to 300
Clear + Black/Gold Splatter Vinyl – Limited to 300
“Catch Thirtythree”
Black Vinyl Silver Vinyl – Limited to 300Orange + Black marble Vinyl – Limited to 300
“obZen”
Black Vinyl
Clear Vinyl- Limited to 300
White + Red Splatter Vinyl – Limited to 300
“Koloss”
Black Vinyl
Silver Vinyl – Limited to 300
Grey + Black/Gold marble Vinyl – Limited to300
All Reissues are available for pre-order here: nuclearblast.com/meshuggah-reissues
Catch MESHUGGAH live on the following dates:
5/05/2019 FL Welcome To Rockville – Jacksonville
5/10/2019 NC Epicenter Festival – Rockingham
5/17/2019 OH Sonic Temple Art & Music Festival – Columbus
5/18/2019 IL Chicago Open Air Festival – Bridgeview
8/01-3/2019 Germany Wacken Open Air – Wacken
8/04/2019 France Sylak Open Air – Saint-maurice-de-gourdans
8/7-10/2019 Czech Republic Brutal Assault Festival – Jaroměř
8/9-10/2019 Belgium Alcatraz Festival – Kortrijk
8/04/2019 Netherlands Into The Grave – Leeuwarden
8/14/2019 Germany Summer Breeze Open Air – Dinkelsbühl
8/17/2019 United Kingdom ArcTanGent Festival – Somerset
Stay tuned for more show announcements!
While the term “genre-defining” gets tossed around quite frequently these days in the music industry, and most especially the heavy metal industry, it is truly the only proper term to align with the head expanding sounds created by MESHUGGAH. The band began its formation in Umeå, Sweden in 1987. With over 25 years and 8 full length albums as masters in this realm, the band have been on an endless journey to outwardly reveal their uncommon sonic stamp. This greatly pertains to the musical precision required in order to create songs with such unique time signatures. In 1989 the band‘s vestal voyage began with their self titled release that was limited to only 1,000 copies and completely sold out. In 1991 with the release of their first full length album “Contradictions Collapse” the band welcomed their new drummer, and the man that would eventually be dubbed “the best drummer alive;” the incredible Tomas Haake. Their 1995 album “Destroy, Erase, Improve”, and the release of “Chaosphere” in 1998 gained massive attention and really pushed the band into the popular heavy metal touring circuit. Things progressed more and more until the release of their 2002 album which would go on to sell over 110,000 copies in the United States. As the years and albums progressed a term describing the band‘s progressive music style; “djent” emerged to solidify their genre defining nature. In 2005 they released “Catch Thirtythree” which perplexed and delighted many fans and critics as a 47 minute-long “uni-song” that genuinely required patience and attention to detail. A few years later in 2008, “obZen” made it‘s way into the world alongside a stunning music video for the single ‘Bleed’. “obZen” sold over 82,000 copies in the US, alone. In 2012 the 10-track record “Koloss” was reveled and made its way to the top 20 of the Billboard top 200, re-demonstrating once again, the exclusive talents held only by MESHUGGAH.
In the time between”KOLOSS” and the release of their 8th full length studio album “The Violent Sleep of Reason”, to celebrate the 25th anniversary of the band’s debut studio album, the idea was born to let creative genius Keerych Luminokaya redesign each album cover with a new sense of style (Luminokaya began creating artwork for the band with their 2012 release of “KOLOSS”, and has continued working closely with them by providing artwork for albums and tour/stage design). This project stretched over 6 months, and resulted in the release of the “25 Years of Musical Deviance” box set. Only 1000 copies were produced, and they sold out immediately. Inspired by the high demand from fans who couldn’t get their hands on a copy of the box set the first time around, Nuclear Blast will now offer the albums individually on a variety of colored vinyl, in a one-time only limited pressing.
Starting with the first 5 albums: “MESHUGGAH”, “Contradictions Collapse”, “None”, “Destroy”, Erase, Improve”, and “Chaosphere”, and set to be released on Nov 30th, 2018. All albums are now remastered especially for vinyl by Thomas Eberger of Stockholm Mastering.
In the wake of the massive 25 year milestone, there truly is no better way to complete the collections of fans worldwide than with the installation of these beautifully remastered albums. It‘s also a rarely seen opportunity for newer, younger fans who have yet to discover MESHUGGAH to introduce their ears and their minds to this stand-alone collection of timeless, mathematical auditory brilliance.
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Swedish extreme tech-metal pioneers MESHUGGAH are proud to release their very special vinyl reissue collection celebrating the bands legacy. The collection offers a limited one-time only pressing that includes re-imagined cover artwork, redesigned gatefold jackets, and audio mastered for vinyl. The first five albums are now available via Nuclear Blast.
Get the MESHUGGAH re-issues here: nuclearblast.com/meshuggah-reissues
Also,to get an impression of the collection, watch the trailer about it here: https://youtu.be/X6G9AbatAmg
The first five reissues are as follows:
“Meshuggah EP” (1989)
– LP (black) in gatefold (Limited Edition, EP)
– LP (gold) in gatefold (Mailorder + wholesale)
– LP (clear+black marble) in gatefold (Mailorder exclusive)
“Contradictions Collapse” (1991)
– 2LP (black) in gatefold (Limited Edition)
– 2LP (grey) in gatefold (Mailorder + wholesale)
– 2LP (clear+black/white splatter) in gatefold (Mailorder exclusive)
“None EP” (1994)
– LP (black) in gatefold (Limited Edition, EP)
– LP (clear) in gatefold (Mailorder + wholesale)
– LP (red/black marble) in gatefold (Mailorder exclusive) “Destroy Erase Improve” (1995)
– 2LP (black) in gatefold (Limited Edition)- 2LP (clear) in gatefold (Mailorder + wholesale)
– 2LP (white+black marble) in gatefold (Mailorder exclusive)
“Chaosphere” (1998)
– 2LP (black) in gatefold (Limited Edition)- 2LP (transparent red) in gatefold (Mailorder + wholesale)
– 2LP (orange+black marble) in gatefold (Mailorder exclusive)
The re-designed album artwork was completed by Keerych Luminokaya who created the artwork for the band’s 2012 release of KOLOSS. For the remastering of the albums, the band returned to Thomas Eberger of Stockholm Mastering who worked with the band on “The Violent Sleep of Reason” which secured the band their first GRAMMY nomination for “Best Metal Performance”.
All Reissues are available for pre-order here: nuclearblast.com/meshuggah-reissues
While the term “genre-defining” gets tossed around quite frequently these days in the music industry, and most especially the heavy metal industry, it is truly the only proper term to align with the head expanding sounds created by MESHUGGAH. The band began its formation in Umeå, Sweden in 1987. With over 25 years and 8 full length albums as masters in this realm, the band have been on an endless journey to outwardly reveal their uncommon sonic stamp. This greatly pertains to the musical precision required in order to create songs with such unique time signatures. In 1989 the band‘s vestal voyage began with their self titled release that was limited to only 1,000 copies and completely sold out. In 1991 with the release of their first full length album “Contradictions Collapse” the band welcomed their new drummer, and the man that would eventually be dubbed “the best drummer alive;” the incredible Tomas Haake. Their 1995 album “Destroy, Erase, Improve”, and the release of “Chaosphere” in 1998 gained massive attention and really pushed the band into the popular heavy metal touring circuit. Things progressed more and more until the release of their 2002 album which would go on to sell over 110,000 copies in the United States. As the years and albums progressed a term describing the band‘s progressive music style; “djent” emerged to solidify their genre defining nature. In 2005 they released “Catch Thirtythree” which perplexed and delighted many fans and critics as a 47 minute-long “uni-song” that genuinely required patience and attention to detail. A few years later in 2008, “obZen” made it‘s way into the world alongside a stunning music video for the single ‘Bleed’. “obZen” sold over 82,000 copies in the US, alone. In 2012 the 10-track record “Koloss” was reveled and made its way to the top 20 of the Billboard top 200, re-demonstrating once again, the exclusive talents held only by MESHUGGAH.
In 2016, the band released their 8th full length studio album “The Violent Sleep of Reason” as well as celebrated the 25th anniversary of the band’s debut studio album. The idea was born to let creative genius Keerych Luminokaya redesign each album cover with a new sense of style (Luminokaya began creating artwork for the band with their 2012 release of KOLOSS, and has continued working closely with them by providing artwork for albums and tour/stage design). This project stretched over 6 months, and resulted in the release of the “25 Years of Musical Deviance” box set. Only 1000 copies were produced, and they sold out immediately. Inspired by the high demand from fans who couldn’t get their hands on a copy of the box set the first time around, Nuclear Blast will now offer the albums individually on a variety of colored vinyl, in a one-time only limited pressing. Starting with the first 5 albums: “MESHUGGAH”, “Contradictions Collapse”, “None”, “Destroy”, Erase, Improve”, and “Chaosphere”, and set to be released on Nov 30th, 2018. In the wake of the massive 25 year milestone, there truly is no better way to complete the collections of fans worldwide than with the installation of these beautifully remastered albums. It‘s also a rarely seen opportunity for newer, younger fans who have yet to discover MESHUGGAH to introduce their ears and their minds to this stand-alone collection of timeless, mathematical auditory brilliance.
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Italian extreme metallers DESTRAGE have just announced their summer dates for Italy including a few support slots for mighty MESHUGGAH!
DESTRAGE “CELEBRATE SELF CELEBRATION” SUMMER TOUR 2018
18/05 THE HOR – Sassari (SS)
19/05 FABRIK – Cagliari (CA)
02/06 SOLIDAR ROCK – Cassano d’Adda (MI)
18/06 LIVE CLUB – Trezzo Sull’Adda (MI) w/ MESHUGGAH
19/06 ORION – Roma (ROMA) w/ MESHUGGAH
20/06 ESTRAGON – Bologna (BO) w/ MESHUGGAH
07/07 FESTINTENDA – Mortegliano (UD)
13/07 ROCK IN PARK OPEN AIR – Cava di Roselle (GR)
14/07 ROCK PLANET – Pinarella di Cervia (RA)
28/07 CIOCIARIA OPEN AIR – Ceccano (FR)
18/08 SUMMER CROCK FESTIVAL – Borghetto di S.Martino di Lupari (PD)
08/09 PHENOMENON (AMTNE CLOSING PARTY) – Fontaneto d’Agogna (NO)
DESTRAGE is:
Paolo Colavolpe – Vocals
Matteo Di Gioia – Gitarre
Federico Paulovich – Drums
Ralph Guido Salati – Gitarre
Gabriel Pignata – Bass
https://www.facebook.com/Destrage
https://www.youtube.com/destrage
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