With a career of over thirty years with some of the world’s biggest heavy metal acts on top of an absolutely monumental solo career, Marty Friedman is a household name for guitarists across the world, and Australian fans get the chance to see the legendary shredder himself tear it up onstage in four incredibly intimate venues, giving fans a once-in-a-lifetime opportunity to experience Friedman’s guitar wizardry closer than ever before.
ULTIMATE VIP PACKAGES AVAILABLE!
You all have heard how great the VIP packages were for Marty`s US and Europe tours-this time will top even that! What you get with this great package:
– Meet Marty and have ALL your items signed – no limit
– Photo with Marty – with your own camera
– Chat with Marty – no rush through
– Exclusive Marty Friedman guitar pick – the exact same one he uses
– And the rarest of the rare—the VIP only CD, “Marty`s Vault 4: Wicked Sh*t From Japan”
If you know anything about the previous VIP packages, you will know that participants all received “Marty`s Vault 1, 2 & 3” Those are not available anywhere anymore. The new 75 minute Marty`s Vault “4” cd continues in a series of Marty`s recordings that he has done in Japan that have not been heard outside of Japan and contain some of Marty`s finest and favorite playing of his career. This is a must have for any Marty collector and is not for sale anywhere and ONLY available with the VIP package.
VIP packages are limited. To get yours now, please send an empty email to:
Pinnacle Music Group Presents
MARTY FRIEDMAN Australian Tour
December 2019
Tickets on sale now via www.pinnaclemusic.eventbrite.com or Oztix!
Wednesday 11th – Sydney, Crowbar
RSVP: Facebook Event
Thursday 12th – Brisbane, Crowbar
RSVP: Facebook Event
Friday 13th – Melbourne, Bendigo Hotel
RSVP: Facebook Event
Saturday 14th – Canberra, The Basement
RSVP: Facebook Event
This time around, via Indiegogo’s crowdfunding, as well as Nuclear Blast, Wintersun is releasing The Forest Seasons. It offers fans to embark on a musical voyage of approximately 54 minutes through a magical forest with four massive tracks, each running over 12 to 14 minutes.
The Forest Seasons starts out blithely with ‘Awaken from the Dark Slumber (Spring)’, a song exhibiting many meticulous arrangements. Some slightly emulating the sounds of Nightwish, a bit of black metal executed à la Dimmu Borgir, and the second half echoing various features of old Ensiferum. The melody of the song ‘Iron‘ springs to mind perhaps. The most upbeat piece on the album overall.
‘The Forest That Weeps (Summer)’ is a very atmospheric track that sonically characterizes more of a frozen, serene landscape. It’s an anthem more suitable for the winter season if you ask me. It is exceptionally chord-oriented, capturing a broad somber setting – something that Moonsorrow or Summoning would showcase in their discography. Aside of course, from the choir allotment that Wintersun, as a rule, unearths for the sake of elevating dramatic effects and theatrics, which is a good thing.
“Well, where are the guitar doodley-things?” you may ask. That would be on ‘Eternal Darkness (Autumn)’, the third track of the album. The lead guitar starts to kick in after the six-minute mark, riding the main melody at first and then eventually becoming more interesting and shreddy, unveiling a riff akin to Marty Friedman‘s playing in Cacophony (although it ends quickly). This piece has an eerie, turn of the millennium era of symphonic black metal feel to it – a new venue for the band – as well as acoustic engravings clearly influenced by the mighty Dissection. It is a song filled with alluring concepts, but a tad bit too long with the drums dismally repetitive and monotonous for a Wintersun song.
The fourth and last track, ‘Loneliness (Winter)’ is where Jari displays the many facets of his vocal capabilities. Perhaps showing some aspects that went amiss from the predecessor’s ‘Sons of Winter and Stars’.
The Forest Seasons is Wintersun’s least creative output in my opinion. At the end of the album, I was left wondering when they will ever release anything that comes close to the self-titled album again. And where is The Way of The Fire?!? My fixation with the band (as is with many others I’m sure) is mainly due to the dedication and impressive amounts of the guitar work displayed on the self-titled album back in 2004, which noticeably has neither returned nor revealed itself even after this release. This album just seems like an immense gap filler designed to keep their fans from complaining momentarily until they finally release what they know the fans have been patiently waiting for; something that closely resembles the album that has made them so notorious in the first place.
Musicians have the right to creative freedom, of course, but I can think of many other bands who plunge and thrive in the waters which convey the same sort of sentiments found on this album. Undoubtedly, many others will enjoy this new release through and through, but this is not the Wintersun I was looking for.
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